Bob Anderson Show
Bob Anderson is
Sinatra, Martin, Davis Jr., Tom Jones: Truly Uncanny!
I have been in the entertainment industry since
childhood, and moved from Los Angeles to Branson over a decade ago
to pursue my career. I've worked in many shows, and seen
almost every show that has come through Branson in that time.
And I am here to tell you that Bob Anderson's Tribute To The Golden
Age of Song is possibly the best show I've ever seen hit this great
city.
Bob Anderson's show takes place at 8 pm, inside the lush and
inviting
Club Vegas showroom at the Lodge of the Ozarks, which is
located right on Hwy 76 across from Jim Stafford's Theatre.
Parking is plentiful, and essentially flat all around the complex,
so any parking that does require some walking does NOT require
walking up or down any major slopes, a nice change from many of
Branson's venues.
The ushers/wait-staff and ticket takers are congenial and prompt,
which sets the tone for what you will be experiencing. You
immediately get a feeling that they are here for you, to serve your
needs and enhance your evening. Just like the real Vegas.
The next thing you notice, upon walking into Club Vegas, is how
'dead-on' it is for a real Las Vegas showroom. I spent a
number of years in Vegas, and the moment I walked into this Club, I
felt like I had stepped back in time to Caesar's Palace's Circus
Maximus, albeit in a smaller form. Half-circle booths with red
leather and velvet sidings, dark wood tables with small candles
glowing, ready for a night of fun and nostalgia, letting you feel
like you are really spending an evening watching the classic acts in
a classic venue.
The dinner, which one can purchase for an extra $20 or so with your
ticket, is delicious and very much in keeping with the Vegas feel.
Steak, potato, some veggies, salad, all well-prepared. The
dinner is served during the hour before show time, so be sure to get
there by 7 if you want to try it. It's WELL worth it!
You will also notice that this show differs from any other show in
town in the way that drinks are served to your table, just like a
real Vegas showroom. No, this show is probably not one you
would take your kids to see, though I must emphasize that there is
*nothing at all offensive* in the show itself, but remember, you are
essentially in Vegas. But children who can handle the grown-up
environment should be encouraged to see Bob's show, as he will
educate them to music they likely have never heard before, done in a
style that will delight all ages.
All of the pre-show experience is sweetly moved along to a
background music track of some of the truly classic swing and
standard tunes of the late '50's through the mid '70's, and sets
another marker for what is to come.
Audio in the venue is crisp and clear, never too loud, never too
soft, and equalized with the right touch of live rawness mixed with
modern sophistication. A very enjoyable and non-fatiguing
sound system is employed here.
Now, of course, comes show time! A short video is played above
the stage, showing us a glimpse into Bob's younger days, his entry
into the singing profession, and a history of his rise to
impressionistic stardom in Las Vegas, imitating all the classic male
vocalists of his era. Then Bob himself walks onto the stage,
with his pianist ready to be the sole but very effective
accompanist, helped with some recorded horns, strings, and other
song enhancers which, rather than being over-emphasized and
appearing insincere, are understated and lend a real boost to the
mood of what you're hearing.
And Bob isn't the only guy to show up; Sinatra, Martin, Davis Jr.,
Tom Jones, Jack Jones, Johnny Mathis, and Tony Bennett all make
their appearance at various points in the show. Anderson's
take on each person he imitates is spot-on, not just 'kinda-like'
but truly uncanny. His virtuosity in vocal range and voice
impressions are truly astounding, so much so that you have to keep
blinking and reminding yourself that you are not actually hearing
the real thing. After the first five minutes you no longer
wonder why he's been doing this successfully for over 27 years.
Bob Anderson is a fabulous performer, and when seen in an intimate
Vegas setting so alike to the venues he's played in the real Vegas
for
so long, you begin to understand what was so great about Vegas
back then, and why it's important to keep that feeling alive.
Anderson becomes Dean Martin right before our eyes, in a hilariously
accurate portrayal of Dino himself, (unlit) cigarette in one hand,
drink in the other, bopping and smiling along with his jokes and hit
songs. Johnny Mathis' drowsy, droopy stage presence is
mimicked to a 'T' as well, and while you're laughing at how accurate
and funny the body movements are, you're still in awe of how much he
sounds like Mathis.
It was when he began to do Tom Jones that I really lost it and
laughed myself crazy, because Bob Anderson actually scrunches up his
face and BECOMES Tom Jones... the big eyes, the wide Cheshire grin,
looking about while waving that famous waistline gyration and
flailing those arms... it killed me! Sounded just like him,
LOOKED just like him, it is astounding. But along with these
and other impressions (like his Bennett and Sinatra, they have to be
seen and heard to be believed)
Anderson also injects plenty of good-natured humor, and personal
recollections of working with and in front of the very stars he
admires so greatly to flatter in his own inimitable way. He
recounts why he wanted to be a singer in the first place, growing up
listening to the radio, the records, the classic TV variety shows
that inspired and informed his need to be a performer. It's a
funny show, and well-performed, as good as any in town, but being so
intimate, it's also very touching and deeply loving in its tribute
not only to those singers and songs he mimics, but to an entire era
of uniquely American culture and music. He never slips into
seriously 'blue' humor, the show is not preceded with half-nude
dancers or any other uncomfortable Vegas stereotypes of loose morals
and low-brow comedy. He's a natural, plain and simple, no
grand lighting effects or production values on the scale of
Broadway, as so many shows try to do.
Bob Anderson just sings for us, with his pianist, performing as a
hundred different stars and as himself as well, and the entire
feeling one comes away with is that we've been given a chance to
feel what it really felt like to attend one of those classic shows
of the mid-20th Century, when crooners were at their peak, life felt
a little safer and more fun, and everyone was invited to the party
hosted by the coolest, hippest cats in town.
You'll want to see it over and over again (and sometimes different
songs and singers show up unannounced as Bob suddenly is inspired to
add something different and keep things fresh for his audience and
himself).
This show is as fun as any in town and different than all the
others. It's a complete package of Vegas-style enchantment
courtesy of Bob Anderson and Club Vegas at Lodge of the Ozarks.
Don't miss it!
-L. M. From BransonCritic.org contest.
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